Subject: Top Stories: Jeffrey Deitch’s Second Act, at Mana Contemporary | Controversial Filmmaker Harmony Korine Debuts His Paintings
From: "Artsy" <[email-masked]>
To: "Hunter" <[email-masked]>
Date: Tue, 3 Feb 2015 16:36:08 +0000
List-Id: da84db7e8f0d6bd94b7e0da60mc list <da84db7e8f0d6bd94b7e0da60.1160085.list-id.mcsv.net>

From the fair’s most interesting booth to the gem oft overlooked, we recap last week’s edition of Art Los Angeles Contemporary, where swift sales and refined offerings characterized the fair, in its sixth (and perhaps strongest) run.
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https://www.artsy.net?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677 ARTWORKS (https://artsy.net/browse?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677) ARTISTS (https://artsy.net/artists?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677) SHOWS (https://artsy.net/shows?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677) GALLERIES (https://artsy.net/galleries?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
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TOP STORIES THIS WEEK
https://www.artsy.net/article/editorial-strong-momentum-and-brisk-sales-at-the?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677

** Strong Momentum and Brisk Sales at Art Los Angeles Contemporary (https://www.artsy.net/article/editorial-strong-momentum-and-brisk-sales-at-the?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
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By Maxwell Williams

From the fair’s most interesting booth to the gem oft overlooked, a recap from last week’s edition of Art Los Angeles Contemporary, where swift sales and refined offerings characterized the fair, in its sixth (and perhaps strongest) run.

» Read Article (https://www.artsy.net/article/editorial-strong-momentum-and-brisk-sales-at-the?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
https://www.artsy.net/article/tess-jeffrey-deitchs-second-act-a-tour-through?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677

** Jeffrey Deitch’s Second Act: A Tour Through the Artistic Collaborations of Karole Armitage (https://www.artsy.net/article/tess-jeffrey-deitchs-second-act-a-tour-through?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
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By Tess Thackara

Jeffrey Deitch and “punk ballerina” Karole Armitage bring art and dance together in a sprawling exhibition of sets and costumes from three decades of the dancer’s artistic collaborations.

» Read Article (https://www.artsy.net/article/tess-jeffrey-deitchs-second-act-a-tour-through?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
https://www.artsy.net/post/editorial-controversial-filmmaker-harmony-korine-applies-cinema-to?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677

** Controversial Filmmaker Harmony Korine Applies Cinema to Canvas (https://www.artsy.net/post/editorial-controversial-filmmaker-harmony-korine-applies-cinema-to?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
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By Stephen Dillon

The Spring Breakers filmmaker makes a case for his painting career through a new series of rich textural paintings inflected with his signature dark cinematic style.

» Read Article (https://www.artsy.net/post/editorial-controversial-filmmaker-harmony-korine-applies-cinema-to?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
https://www.artsy.net/article/artsy-editorial-in-two-perrotin-shows-jesus-rafael-soto-proves?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677

** Jesús Rafael Soto Proves the Importance of Seeing Art in Person (https://www.artsy.net/article/artsy-editorial-in-two-perrotin-shows-jesus-rafael-soto-proves?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
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By Casey Lesser

The late Venezuelan artist’s universal legacy is surfaced as it reverberates through Galerie Perrotin’s New York and Paris galleries in simultaneous retrospective shows.

» Read Article (https://www.artsy.net/article/artsy-editorial-in-two-perrotin-shows-jesus-rafael-soto-proves?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
https://www.artsy.net/post/editorial-the-recent-evolution-of-painting-unfolds-in?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677

** The Evolution of Painting Unfolds in a Group Show at Almine Rech Paris (https://www.artsy.net/post/editorial-the-recent-evolution-of-painting-unfolds-in?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
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By Stephen Dillon

Divided into “landscapes,” “portraits,” and “forms,” the exhibition illustrates the history of painting through its persisting genres, with work culled from 29 artists representing the postwar period to the present.

» Read Article (https://www.artsy.net/post/editorial-the-recent-evolution-of-painting-unfolds-in?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
https://www.artsy.net/post/matthew-what-makes-richard-hamilton-the-first-pop?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677

** What Makes Richard Hamilton the First Pop Artist? (https://www.artsy.net/post/matthew-what-makes-richard-hamilton-the-first-pop?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
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By Matthew Israel

Recognized as the pioneering force behind pop art prior to its leap across the pond, British artist Richard Hamilton made the seminal collage that foreshadowed Warhol’s soup cans and Lichtenstein’s comic book pixelations.

» Read Article (https://www.artsy.net/post/matthew-what-makes-richard-hamilton-the-first-pop?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
1: Wrinkle Decker, Lazy Boy, 2014. Photo by Rachel Murray. Special thanks to Daniel Hope in fabrication assistance. (https://www.artsy.net/article/editorial-strong-momentum-and-brisk-sales-at-the?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677) 2: Installation view, “Making Art Dance.” Photo by Joe Schildhorn / BFAnyc.com. (https://www.artsy.net/show/mana-contemporary-making-art-dance-backdrops-and-costumes-from-the-armitage-foundation?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677) 3: Harmony Korine, Skinamax Chex, 2014. © Harmony Korine. Courtesy Gagosian Gallery. Photography by Josh White/JWPictures.com. (https://www.artsy.net/artwork/harmony-korine-skinamax-chex?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677) 4: View of the exhibition Jesús Rafael Soto “Chronochrome”, Galerie Perrotin, Paris and New York, 2015. Jesús Rafael Soto, Pénétrable BBL bleu, 1999 - Edition Avila (Succession Soto) 2007. © Jesús Rafael Soto / Artists Rights Society (ARS), New York/ADAGP, Paris, 2015. Photo: Livia Saavedra. Courtesy Galerie Perrotin.
(https://www.artsy.net/article/artsy-editorial-in-two-perrotin-shows-jesus-rafael-soto-proves?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677) 5: Installation view of “The Shell” at Almine Rech, Paris. Courtesy Almine Rech. (https://www.artsy.net/show/almine-rech-the-shell-landscapes-portraits-and-shapes-a-show-by-eric-troncy?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677) 6: Richard Hamilton, Release, 1972. Courtesy Sims Reed Gallery and the artist. (https://www.artsy.net/artwork/richard-hamilton-release-1?utm_source=Current+Users&utm_campaign=c32ae0aa28-Weekly+email+%23195_Editorial18&utm_medium=email&utm_term=0_c67eb1f0a4-c32ae0aa28-413789677)
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