Subject: Top Stories: Christian Marclay Serves Up Sensory Gratification in London | Zoë Buckman’s Plastinated Placenta
From: "Artsy" <[email-masked]>
To: "Hunter" <[email-masked]>
Date: Tue, 24 Feb 2015 16:10:46 +0000
List-Id: da84db7e8f0d6bd94b7e0da60mc list <da84db7e8f0d6bd94b7e0da60.1160085.list-id.mcsv.net>

Using a process developed to preserve organs for medical research, artist Zoë Buckman has managed to turn her own placenta into a beautiful—and immortal—sculpture, which leads a body of work that explores life, death, and femininity with neon lights and images of decaying floral bouquets.
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TOP STORIES THIS WEEK
https://www.artsy.net/post/editorial-zoe-buckmans-plastinated-placenta-probes-the-beauty?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677

** Zoë Buckman’s Plastinated Placenta Probes the Beauty of Birth (https://www.artsy.net/post/editorial-zoe-buckmans-plastinated-placenta-probes-the-beauty?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
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By M.A. Wholey

Using a process developed to preserve organs for medical research, artist Zoë Buckman has managed to turn her own placenta into a beautiful—and immortal—sculpture, which leads a body of work that explores life, death, and femininity with neon lights and images of decaying floral bouquets.

» Read Article (https://www.artsy.net/post/editorial-zoe-buckmans-plastinated-placenta-probes-the-beauty?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
https://www.artsy.net/article/editorial-at-white-cube-christian-marclay-serves-up?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677

** Christian Marclay Serves Up Sensory Gratification at White Cube (https://www.artsy.net/article/editorial-at-white-cube-christian-marclay-serves-up?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
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By Peter Yeung

Dizzying images and dissonant noise drive Marclay’s newest exhibition at White Cube, an ambitious presentation spanning sound, animation, painting, video, and performance.

» Read Article (https://www.artsy.net/article/editorial-at-white-cube-christian-marclay-serves-up?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
https://www.artsy.net/article/editorial-at-the-brooklyn-museum-judith-scotts-hypnotic?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677

** At the Brooklyn Museum, Judith Scott’s Hypnotic Sculptures Transcend “Outsider Art” (https://www.artsy.net/article/editorial-at-the-brooklyn-museum-judith-scotts-hypnotic?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
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By Alexxa Gotthardt

The artist’s complex, captivating palimpsests—layered, cocoon-like objects wrapped in twine and strips of fabric—demand to be viewed on their own terms.

» Read Article (https://www.artsy.net/article/editorial-at-the-brooklyn-museum-judith-scotts-hypnotic?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
https://www.artsy.net/article/editorial-sarah-sze-slows-fast-paced-art-consumption-at?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677

** Sarah Sze Slows Fast-Paced Art Consumption at Victoria Miro’s Three London Spaces (https://www.artsy.net/article/editorial-sarah-sze-slows-fast-paced-art-consumption-at?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
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By Francesca Gavin

In her first solo exhibition since the 2013 Venice Biennale, Sarah Sze captivates audiences from Mayfair to Wharf Road through thoughtful small-scale sculptures and vibrant installations.

» Read Article (https://www.artsy.net/article/editorial-sarah-sze-slows-fast-paced-art-consumption-at?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
https://www.artsy.net/post/editorial-conceptual-art-goes-viral-in-harm-van?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677

** Conceptual Art Goes Viral in Harm van den Dorpel’s Berlin Exhibition (https://www.artsy.net/post/editorial-conceptual-art-goes-viral-in-harm-van?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
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By Hannah Gregory

With conceptual rigor, psychedelic colors, and mixed media, Harm van den Dorpel extends the online world into the gallery space, exploring viral networks of language, art, and the internet.

» Read Article (https://www.artsy.net/post/editorial-conceptual-art-goes-viral-in-harm-van?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
https://www.artsy.net/post/editorial-100-years-after-malevichs-black-square-whitechapel?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677

** A Century After Malevich’s Black Square, Whitechapel Reflects on the Artist’s Global Legacy (https://www.artsy.net/post/editorial-100-years-after-malevichs-black-square-whitechapel?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
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By Peter Yeung

The influence of Malevich’s revolutionary black square was felt far beyond the West, as examined in this sprawling new exhibition, including works by Liu Wei, Léger, and Gasparian and Serpa.

» Read Article (https://www.artsy.net/post/editorial-100-years-after-malevichs-black-square-whitechapel?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
1: Portrait of Zoë Buckman courtesy Garis & Hahn and the artist. (https://www.artsy.net/post/editorial-zoe-buckmans-plastinated-placenta-probes-the-beauty?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677) 2: Christian Marclay, Solo Exhibition, White Cube Bermondsey, 28 January - 12 April 2015. Photo: George Darrell. Courtesy White Cube. (https://www.artsy.net/article/editorial-at-white-cube-christian-marclay-serves-up?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677) 3: Judith Scott, Untitled, 2004. Courtesy of the Brooklyn Museum. (https://www.artsy.net/artwork/judith-scott-untitled-1?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677) 4: Sarah Sze, Installation view, “Stone Series,” 2013-2015 at Victoria Miro, Wharf Road. Courtesy the Artist and Victoria Miro, London. © Sarah Sze. (https://www.artsy.net/article/editorial-sarah-sze-slows-fast-paced-art-consumption-at?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677) 5: Installation view of “Harm van den Dorpel: Ambiguity points to the mystery of all revealing” at Neumeister Bar-Am, Berlin. Courtesy Neumeister Bar-Am and the artist.
(https://www.artsy.net/show/neumeister-bar-am-harm-van-den-dorpel-ambiguity-points-to-the-mystery-of-all-revealing?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677) 6: Peter Halley, Auto Zone, 1992. © Peter Halley (https://www.artsy.net/artwork/peter-halley-auto-zone?utm_source=Current+Users&utm_campaign=009b592355-Weekly+email+%23202_Editorial21_A&utm_medium=email&utm_term=0_c67eb1f0a4-009b592355-413789677)
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